Renovation revisited and more con news

I find, several days later, refreshed and regrouped, I have more to say about Renovation, the Worldcon in Reno last weekend. I mentioned getting a chance to meet all kinds of cool authors face to face whom I had only virtually met. Well, what do you care? Let me tell you now, why you should care.

I have promises of interviews from:
Madeleine Robins
Steven Gould
Scott Edelman (editor)
David Boop
Harry Turtledove

Look for those to roll out soon.

I also scored copies of The Brahms Deception by Louise Marley and Brenda Cooper's Mayan December. You should check out the cover of Mayan December. The woman on the front looks like Zoe from Firefly. Not exactly, but the expression is what does it. I'm looking forward to reading them both.

I let slip that I review books while in the dealers room and before I knew it, was inundated with books. Yikes! I'm sure some of them will be worthy of a review at Science Fiction and Other ODDysseys. One guy, however, was so desperate for a review that he insisted his self-published historical fiction was alternate history. I need to learn to keep my mouth shut.

I requested Harry Turtledove's latest from the publisher as it's silly SF. I can definitely go for that.

I didn't make the Hugo Awards, but heard about this highlight and found the video. Chris Garcia - best acceptance speech ever!

Scholastic emailed me when I got back requesting reviews of their titles, so you may see some YA reviews in the near future here at SFOO.

And in other con news, FOGcon is back! I went to the first one in San Francisco last year and they just announced their plans for 2012 after Renovation. The second annual Friends of the Genre Convention will be held in Walnut Creek, CA (East Bay) March 30 - April 1. The theme for 2012 is The Body. Registration is open and memberships are $60/adult.

From their first progress report, here are their Guests of Honor:

Nalo Hopkinson, Honored Guest

NALO HOPKINSON, born in Jamaica, has lived in Jamaica, Trinidad and Guyana and for the past 30 years in Canada. She is the author of four novels and a short story collection (_Brown Girl in the Ring_, _Midnight Robber_, _The Salt Roads_, _The New Moon's Arms_, _Skin Folk_). She is the editor of fiction anthologies _Whispers From the Cotton Tree Root: Caribbean Fabulist Fiction_, and _Mojo: Conjure Stories_. She is the co-editor of fiction anthologies _So Long Been Dreaming: Postcolonial Science Fiction_ (with Uppinder Mehan) and _Tesseracts Nine_ (with Geoff Ryman). Hopkinson's work has received Honourable Mention in Cuba's "Casa de las Americas" literary prize. She is a recipient of the Warner Aspect First Novel Award, the Ontario Arts Council Foundation Award for emerging writers, the John W. Campbell Award for Best New Writer, the Locus Award for Best New Writer, the World Fantasy Award, the Sunburst Award for Canadian Literature of the Fantastic, the Aurora Award, and the Gaylactic Spectrum Award. She was the Guest of Honor at the 2011 WisCon.

Shelley Jackson, Honored Guest

SHELLEY JACKSON is a writer and artist known for her cross-genre experiments, including the groundbreaking hypertext _Patchwork Girl_ (1995). Her works deal with issues of the body, displacement, touch, and desire. Born in the Philippines, Shelley Jackson grew up in Berkeley, California. She is the author of several hypertext novels, including _Patchwork Girl_, a non-chronological reworking of Mary Shelley's _Frankenstein_, as well as the autobiographical _My Body_ and _The Doll Games_, which she wrote with her sister Pamela. In 2001 she received the Electronic Literature Award. Shelley Jackson's short story collection, _The Melancholy of Anatomy_, appeared in 2002. A year later, she launched the "Skin Project", a novella published in the form of tattoos on the skin of volunteers. Her first novel, _Half Life_, won the 2006 Tiptree Award.

Mary Shelley, Honored Ghost

MARY SHELLEY is best known for her pioneering novel _Frankenstein: or, The Modern Prometheus_ (1818), often considered the first science fiction novel. She wrote the book while she was 18, unwed, and pregnant with her first child. Given that her own mother had died in childbed when Mary was only 11 days old, the terrors of pregnancy and childbirth are a powerful theme in the text. Her second novel, _The Last Man_, is also science fiction: it is a portrait of the end of the world from a plague in the 21st century. Mary Shelley moved in the first intellectual circles of her day. Her father was the political theorist William Godwin; her mother, the philosopher and feminist Mary Wollstonecraft, author of _Vindication of the Rights of Woman_; family friends included Samuel Taylor Coleridge, William Wordsworth, and Leigh Hunt. Before she turned 17 she eloped with the poet Percy Bysshe Shelley, who was married and the father of two children. Their friends included Lord Byron. She traveled widely and wrote several books about her journeys. Although her later books are overshadowed by the fame of _Frankenstein_, she continued writing novels, essays, poetry, and criticism throughout her life, as well as editing her husband's papers. She died, aged 53, of a brain tumor.


And two more tidbits...
Gameforge, which just hit 300 million registered players, launched a new ommunity-based, free-to-play Star Trek Q&A game. More information at www.keengames.com.

Kindle users can now download the digest edition of Fantasy and Science Fiction for free. That's the good news. The bad news is that you get all the editorial goodies but only one story. You can get the full edition for $12/yr.

Editor Ellen Datlow, Anthology Queen

As promised, meet Ellen Datlow, editor of numerous anthologies, winner of almost as many awards and champion of excellent speculative fiction in all its various genres. Last weekend, she won --and not for the first time -- a Hugo for Best Editor - Short Fiction.

AW: You are, without a doubt, the Anthology Queen. How many have you edited now? What do you think is the secret to your success?

ED: I’ve lost count, but I’ve edited 21 YBFH [Year's Best Fantasy and Horror] and two Best Horror reprint anthologies so that’s 23 right there. I only propose anthologies on themes in which I have an interest. If I don’t feel strongly about something I’m editing I couldn’t do a good job. As an editor I buy the stories that I love—I entertain myself first and hopefully my taste coincides with the readers’. Some of my anthologies sell better than others. I don’t believe it’s a difference in quality but what hits the zeitgeist at the right time. I’ve anthologies about which I felt very strongly that sold terribly but I’m still glad I was able to sell and edit them (although the publishers might not have felt that way).

AW: SciFiction was a treasure trove. Do you see yourself ever getting involved with an online magazine again? What were the greatest challenges?

ED: Thanks. Sure, if I was offered a job. However, the weekly aspect of online webzines is exhausting and I’d hope that if I worked on a webzine again I’d have a managing editor and someone to assist me more. Buying and editing the fiction, doing all the administration, working with the copy editor and proofreader and the in-house production department is a lot for one person.

AW: You are tied, with co-editor Terri Windling, as the recipient of the most World Fantasy Awards in the organization's history. Your list of horror awards is becoming equally impressive. And more recently, you won, once again, the Hugo for Best Editor - Short Fiction. You seem at home in all three genres. Which is your favorite and why?

ED: I love all three equally. In fact, I’d love to sell more mixed-genre anthologies like The Del Rey Book of Science Fiction and Fantasy—I love working on more than one project at a time—often in different genres—I can refresh my palate by spending a certain amount of time reading submissions in sf/fantasy, or horror.

AW: Which of your anthologies is nearest and dearest to your heart and why?

ED: That would be like picking one favorite child over another, although I probably love my solo anthologies more than my collaborations as they’re exclusively my taste—no compromise.

AW: How does your career differ from what you imagined it would be going in? If you had your own personal time machine, would you go back and change anything?

ED: I had no idea how much I would enjoy my career. I feel lucky to have fallen into the best job in the world, doing exactly what I love doing. I would change nothing.

AW: What are your three biggest pet peeves regarding short fiction writing?

ED: Sloppy writing will stop me dead. I don’t think of this as a pet peeve but a judgment call. If a sentence in a story (or novel) stops me dead because its meaning is unclear and/or it stops the flow of the story, to me that’s sloppy. (This goes for experimental as well as non-experimental styles.) The job of the writer is to communicate with her reader.

Writers who send out obvious first drafts.

Writers who think writing good short stories are easy and don’t take the time to hone their craft.

A fourth: stories that are not about anything and leave me wondering, Why did the writer write this? It’s about nothing.

AW: What do you think about steampunk? Will it be a flash in the pan or a major player?

ED: I love reading it, but have been reading it for decades. Nothing particularly new about the sub-genre except that it’s hit the culture, which is fun but not especially pertinent in the long run.

AW: What's your favorite paranormal type of character and why?

ED: I have to say it's a toss up between vampires and ghosts. Both paranormal critters are so versatile that good writers can continue to make up brilliant stories using them. You know the expression "it ain't the meat, it's the motion?" Same thing with tropes and themes in fiction. It ain't the trope or theme that counts, it's what you do with it that matters. Anything old can be made new by the right writer.

AW: What are you working on now?

ED: Best Horror #3, and another YA anthology with Terri Windling. I’m hoping to sell a few more anthologies in the coming months.

AW: Tell me about the books you have coming out in 2011.

ED: In addition to the Best Horror of the Year, volume 3, I have a very big volume of all original urban fantasy stories coming out from St Martin's called Naked City: New Tales of Urban Fantasy. It's my more traditional interpretation of the sub-genre--hearkening back to what the phrase originally meant: fantasy in urban settings.

Teeth, edited by me and Terri Windling, is a YA anthology of vampire stories that will hopefully counter the sparkly vampire syndrome :-). It'll be out from HarperCollins.

Supernatural Noir (title self-explanatory, I think--although it has very few detective stories) will be coming out from Dark Horse.

Blood and Other Cravings is an adult vampirism anthology that is a kind of follow up to my earlier vampirism anthologies Blood is Not Enough and A Whisper of Blood (which are still available in a gorgeous double volume reissued by the Barnes and Noble imprint Fall River Press). B&N is also bringing out a new edition of Terri and my first adult fairy tale anthology, Snow White, Blood Red.

Read more about Ellen Datlow at www.datlow.com.

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The "season" has begun!

I thought it was time for another photo. One in which I'm not hiding behind dark glasses and my hat. Photo by Patrick F. Wilkes

There is a new deal in the wind for Awesome Lavratt. More news later. It just received another excellent review at Amazon. Don't know who the reviewer is, but I'm thrilled with their review. You can read it for yourself here.


Spring has sprung, and with it we have trees and flowers in bloom, lovely pollen in the air to make us sneeze, shirt-sleeve weather, festivals and, for speculative fiction writers – awards!

Winners for the British Science Fiction Association (BSFA) Awards, the Philip K. Dick Award, the Bram Stoker Awards, Australian Shadows Awards and short lists for the David Gemmel Awards and the Arthur C. Clarke Awards and nominees for the Hugos, Campbell and Rhysling and Compton Crook and Promethius Awards.

2009 BSFA Award Winners are as follows:
Best Novel: The City and the City by China Mieville
Best Short Fiction: "The Beloved Time of Their Lives," by Ian Watson and Roberto Quaglia
Best Non-Fiction: Mutant Popcorn by Nic Lowe
Best Artwork: Cover of Desolation Road by Stephen Martiniere

Philip K Dick Award (for distinguished original science fiction paperback published for the first time during 2009 in the US):
Bitter Angels by C.L. Anderson (Ballantine Spectra)
Special citation given to Ian McDonald for Cyberabad Days (Pyr)

HWA and Bram Stoker Awards

• Lifetime Achievement Awards: Brian Lumley and William F. Nolan
  
• The World Horror Convention also awarded a lifetime achievement award. There's went to Basil Cooper.
  
• The Richard Layman President's Award: Vince Liaguno
  
• Silver Hammer Award (for volunteer work on behalf of the Horror Writers' Association: Kathy Ptacek (She's a Broad Universe member! Go Kathy!)
  
• Specialty Press Award: Tartarus Press (Ray Russell and Rosalie Parker)
  
• Bram Stoker Awards for
  
  • Best Novel: Audrey's Door by Sarah Langan (Harper)
    
  • Best First Novel: Damnable by Hank Schwaeble (Jove)
    
  • Best Long Fiction: The Lucid Dreaming by Lisa Morton (Bad Moon Books)
    
  • Best Short Fiction: "In the Porches of My Ears," by Norman Prentiss (PS Publishing)
    
  • Best Anthology: He is Legend: An Anthology Celebrating Richard Matheson edited by Christopher Conlon (Gauntlet Press)
    
  • Best Collection: A Taste of Tenderloin by Gene O'Neill (Apex Book Co.)
    
  • Best Non-Fiction: Writers Workshop of Horror by Michael Knost (Woodland Press)
    
  • Best Poetry: "Chimeric Machines" by Lucy A. Snyder (Creeative Guy Publishing)

Australian Shadows Awards:
Long Fiction: Slights by Kaaron Warren (Angry Robot)
Edited Publication: Grants Pass edited by Jennifer Brozek and Amanda Pillar (Morigan Books) Jennifer is another Broad! :)
Short Fiction: "Six Suicides," by Deborah Biancotti (A Book of Endings)

Congratulate all the award winners, better still, buy their works.

And good luck to the nominees for the other awards mentioned above. If you're eligible to vote for any of them, please do so post haste.



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