Gravity - Doesn't fall flat

Gravity
Directed by Alfonso Cuarón
Written by Alfonso Cuarón and Jonas Cuarón
Released Oct 4, 2013

Reviewed by Ann Wilkes


Gravity, starring Sandra Bullock and George Clooney was much better than I expected. Honestly, after seeing the preview, I expected something like Castaway with Tom Hanks. One of those soul-searching, endlessly long waiting games. The trailer doesn't leave much to go on.

Debris hits the International Space Station after the Russians decommission one of their own satellites with a missile. Two astronauts, who were EVA, Ryan and Matt, survive the accident, but with the ISS trashed, they're on their own. Mission control, due to a chain reaction from the debris hitting other satellites in the same orbit, has gone silent. Matt and Ryan, stranded in space, with no help from below, did anything but wait for rescue. The suspense in this flick was non-stop.

Though there were a lot of "no way" moments, the story was a good one and the acting drew me in and made me forget the plot holes. But I'll still list some. ;) I didn't buy Matt's rationale for letting go when he did. Maybe they only paid Clooney for x amount of scenes. Seriously. Don't want to spoil it for you, but when you get there, you'll know what I mean. In fact, if you want to talk more and don't mind the spoilers because you've already seen it, or you just don't mind spoilers, read more in my comment below.

It was also way too full of coincidences, but I'll let that go for the sake of a good yarn. The distances seemed a bit far-fetched, or rather, not far enough fetched. Also, I wanted to yell at Ryan to calm down and quit using so much oxygen. Don't they teach astronauts any meditation or other calming techniques for when they need to reserve oxygen? And then Matt should have been making sure she's conscious now and then, but not making her talk more. Yeah, maybe that was to calm her down, but she still used more oxygen doing most of the talking.

Sandra Bullock delivered a believable, touching performance of an IT specialist on her first space mission. Though she admitted to being close to losing her cookies most of the mission, when spun at high speed in free-fall, she amazingly held it together. Hmmmmm.

Clooney played the cool veteran, enjoying tootling around with his suit jets, making fun of their fellow space walker (before the accident, obviously).  Post-accident, he kept Ryan focused and remained calm, if not a bit too lackadaisical. Stereotypical hot-dogging pilot, only in space. Not sure he was the pilot, but you get the idea. Not too complex. Ryan, on the other hand, has an interesting backstory.  I won't spoil that for you.

In the final analysis, I'd say this is a worthwhile movie and definitely one to see on the big screen. Don't forget to check out my comment below if you don't mind spoilers. I'm hoping to actually get a lively discussion going on that point. Come back here after you've seen the movie and weigh in.

Channel Zilch is a wild and funny ride

Channel Zilch
Doug Sharp
Panverse Publishing 2013
Review by Ann Wilkes

I loved Doug Sharp's sense of humor in Channel Zilch. He maintains levity throughout, even through dire straits (literally), guns in faces and threatened torture. Mick Oolfson, former NASA astronaut, reduced to spreading manure from his plane, The Flying Cow, is approached by a wealthy entrepreneur with a zany plan to go to space, make money and then buy a ticket home.

The plan is to steal the Enterprise shuttle before it heads to its next display gig and get it to Kazakhstan, strap it onto the Energia and launch into space . . . to broadcast a reality show: Channel Zilch. This guy, Manuel Chin, tells him about how he's got a ticket to use the Energia rocket because the Russian guy who's in  possession is a huge 60s rock and roll fan and Chin pays with old Turtles, Herman's Hermit's and Monkees albums and the chopper Peter Fonda rode in Easy Rider.

Crazy, Mick says. But the more he hears, the less crazy it sounds. And then there's the gorgeous, but totally geeky daughter who is completely screwed up emotionally that knows just how to push all of Mick's buttons.

She shoots me a narrow-eyed, nostril-flared gaze that curls my toes, with a tight little smirk like I'd asked her the color of her panties. I see her fingers twitch and the light grid on her belly comes to life--flipping between

xxx
and
???
Pop Chin emits a guffaw. "Do not let my daughter pull your chain. Heloise has an unfortunate propensity to toy with men's psyches. What do you call this charming avocation, my dear?"

Heloise looks at me mock-sweetly and bats her lashes.

TESTOSTERONE SURFING

And here's some of Sharp's delicious sarcasm as delivered by Mick.

Right. Mustn't let the other Maritime Byproduct Moguls steal your killer business plan to branch out into media by launching a space shuttle. I ask, "What sort of aggressive security steps are you talking about? Just because I'm an astronaut doesn't mean I'm part ninja. Nunchuks are hilarious in microgravity."

He signs on and the adventure begins. They actually steal the shuttle, right under Mick's old nemesis' nose and manage (mostly) to hide the huge bulk that is the Enterprise from satellites and Navy Seals all the way to Kazakhstan. Just when I thought it couldn't get any more interesting, Chin gets them safely away from their pursuers with the help of the Russian Mafiya. As you can imagine, getting in bed with the Mafiya leads to more unpleasantness.

Mick is yanked around on Heloise's chain, driven to distraction by the nutty star of Channel Zilch and working long hours with little sleep while always pursued and occasionally attacked by the NASA creep who got him canned. Non-stop action with non-stop sweet sarcasm.

Now you want to read it, right? Find it here.

This Week in Santa Rosa and Space

Tomorrow, Saturday 21st, is the Sonoma County Book Festival. I'm in charge of volunteers, so I'll be there all day, mostly at the info booth. In addition, I'll be reading a story that all the editors love, but none will publish. I've changed strategies and sent it to a literary journal this time, though it is speculative. Seriously, it makes people cry. They all love it. It just doesn't fit into their little boxes. You can hear seven minutes of it tomorrow at 12:30 at the Redwood Writers' Reading Circle in front of Bertolini Student Center near the Santa Rosa Junior College Quad. I'll be joined by fellow Broad Universe member Michelle Murrain and fellow Redwood Writer Robbi Bryant.

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JP Aerospace has a mission that you can watch live on Sunday. Pillownauts! Pillows exploring space. Wackiest thing since ping pong balls in space. Did you know that JP Aerospace does more experiments than NASA? Yeah, I know, these days that isn't saying much. But they are in a constant state of motion. Keep an eye on them. Never heard of them? They're building airships for space exploration. No joke. I wrote about them in my article "Airships: Not Just Flying Billboards" over at Strange Horizons.  They are the real deal. Anyhow, here's the link for more information and where to watch live.

I don't think John Powell will mind me posting another picture to entice your interest.

And you can read about the essay contest for selecting the pillow parents here.


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In other space news, the second, to-date, private space company supplied the International Space Station on Wednesday. Read more about Orbital Sciences Corp. and its Cygnus capsule here.

Transmissions from Colony One - Worth a listen

As I'm never tired of saying (though my fans may be tired of hearing), I LOVE Minister of Chance. It's a fantastic "sonic movie". Well, I just got turned onto another radio play yesterday that's about the first Mars colony. I listened to the first nine episodes of Transmissions from Colony One yesterday and the finale is available now. You can hear it for yourself (all free) here.

The story follows the 16-member crew of the first manned ship to reach Mars. And it's a colony ship. Well, I had a few quibbles with how that all went down. I know it takes a while to get to Mars, but wouldn't we send a smaller crew there and back first? The whole crew seems to be twenty-somethings. They act like college kids, making jokes and talking about crushes. I don't know if they're meant to be 20-somethings, but the actors look fairly young and that's how they come off. There are eight of each gender, so I'm guessing they're planning on starting the colony with that gene pool. Hmmm. They do expect supply ships, but there is no mention of further manned ships coming.

The acting wasn't bad and the detail to the science was just the right amount in my opinion. I can't speak to how accurate the science is, but it kept it plausible and authentic for this layperson. The main thing that was missing for me was the tension. How long did it take to get there? And by episode nine, it's day 11 on Mars. Everyone, for the most part is still getting along and friendly.

OK, maybe, but here's the real kicker:  As they were landing, they lost contact with earth. It's day 11 and no one's freaking out. They are only just starting to notice weird stuff and are mostly ticked at the commander for hiding something from them. It's a pretty big deal to sign on for a one-way trip to Mars. Having communication with earth would seem to make it more bearable. Take that away, with no explanation for why it's gone and for how long? I'd be majorly freaking out. That's all I would be thinking or talking about.

Commander Sam Flynn has his suspensions which he is keeping to himself. He even lies about stuff to keep them from investigating on their own. He tries to keep his people focused on the mission, which is vital to their survival, but how many people can really compartmentalize such a huge thing like that and carry on as if nothing's amiss? In episode 10, Earth, he reveals his findings, after being called to account by his communications officer, Kaia Osen, in the previous episode.

I'm still interested in this series and intend to head over to tfco.us to listen to the season finale. The sound effects and acting are well-executed. The banter and interpersonal relationships add a nice touch.

Space exploration fascinates me. However, whenever anyone asks if I'd say yes to going myself, I say, "Hell, no!" I can't handle living in the country, let alone, outer space. I'm too much of a people person and like my city life handy. Not to mention the ocean, the forests, the mountains and the lakes. Nope. Let someone else go. I'll be an armchair tourist from the comfort of my home in beautiful wine country.

Europa Report - an intimate look at space exploration

EUROPA REPORT
Release Date: Aug 2, 2013
Director: Sebastián Cordero
Review by Emily Bettencourt

The exploration of new galaxies, trips to new planets, and the existence of alien life are all concepts that have a well-earned place on the shelf of science fiction classics. I was somewhat doubtful that Europa Report could deliver the space journey story in a new way.

The film, directed by Sebastián Cordero, is billed as a documentary-style science fiction thriller, which charts the journey of a privately funded spacecraft exploring the icy surface of Europa, Jupiter's moon. After a catastrophic technical failure and a loss of communication with Earth, the astronauts must complete their mission alone, and survive both the toll of deep-space travel and the discovery they make on Europa.

It's the documentary styling that makes Europa Report unique. It doesn't quite fit into the found-footage genre, but the film does rely heavily on a sense of realism provided by fixed onboard cameras—a rare move in a genre dominated largely by sweeping camera angles and grand storytelling. The onboard camera footage provides both a window into the daily lives of the crew members and a means for them to tell their own stories, in the form of recorded video logs.

This realism is also where much of the tension in the film has its origins. The cameras record every aspect of the crew's daily life, which gives viewers access to even the most tedious details of their routines—a trick which could be grating, if done poorly, but one which Europa Report handles remarkably well. The psychological and physical costs of deep-space travel are not so difficult to imagine when the viewer has such direct access to the astronauts' daily lives. 

Another of the film's strengths is its cast, comprised equally of familiar and unfamiliar faces, all of whom delivery a cohesive and powerful performance. Some more familiar names may include Michael Nyqvist (of Millennium Trilogy fame), Daniel Xu, and Christian Camargo, as well as Sharlto Copley, Karolina Wydra, and Anamaria Marinca. Although some characters have more screen time than others, the actors work well to deliver an impressively convincing portrayal of a group of people trapped in a tiny space, alternately cooperating and annoying each other.

The third area in which Europa Report excels is in the science and the attention to detail that went into it. The filmmakers worked with NASA/Jet Propulsion Laboratories, SpaceX, and more in order to most accurately depict what a mission to Europa would look like—from the surface of the moon itself, to the spacecraft necessary to get there, to the life that they may or may not find on the surface. The structure of the spacecraft's design comes from NASA research and development archives, and the creature models were created with the help of leading astrobiologists. As a result, the world that Europa Report inhabits is full of rich detail, creating a plausible, mind-blowing experience.

However, I did have one major nitpick. The film's documentary style is framed by sets of interviews, with staff and scientists from the company that funded the Europa mission. However, the film itself seemed to be an attempt at an in-media-res telling, but with little logic and in no particular order. The sequences of events felt choppy and disjointed. Catastrophic events happened to characters that I had not yet become attached to. This may be a style that some viewers have no difficulty following, but I found myself confused in many places and, unfortunately, my confusion remained at film's end.

Europa Report certainly succeeds at being a unique approach to the space odyssey story, with its documentary-style film-making and the sparse, even bleak storytelling. Despite its (in my opinion) flawed chronology, it was still an interesting, at times heartbreaking, and often armrest-gripping flick that I would recommend to anyone who enjoys the space exploration genre.

Heaven's War Will Grab You and Not Let Go

Heaven's War 
David S. Goyer & Michael Cassutt

ACE July 2012

Review by Ann Wilkes

I called Heaven's Shadow a thrill ride. Heaven's War keeps that ride going from the first page to the last. In this second book in their Heaven trilogy, authors Goyer and Cassutt take an interesting cross-section of humanity and put them in an alien environment as castaways. The struggle to survive inside the Near Earth Object that has been dubbed Keanu (Really? Still don't like the Matrix reference. Probably because I'm not a big Keanu Reeves fan.) is only the beginning of the conflict that the shipwrecked crews and the abducted humans face.

In Heaven's Shadow, astronauts from a Russian/Indian/Brazilian Coalition and NASA are sent to investigate the NEO. They soon discover that the NEO is an alien spacecraft. Not only that, it can recreate people from the Brahma and Destiny crews' pasts to communicate with them. At the end of the last book, two big white blobs or "vesicles" sent by Keanu scoop up about 100 people from Bangalore and another 80 from Houston. One of the pod people hatched by the NEO is the Destiny Commander Zack Stewart's dead wife - who he must watch die again. Feel free to read or reread my review of the first book, Heaven's Shadow, herein.

While some of the Bangalore folks acquaint themselves with the alien technology in "The Temple", replicating food and vessels to serve it in, a small group led by Zack Stewart search for a way out of the human habitat into an adjacent one in hopes of increasing resources and finding the control center of the ship.

Camilla seemed equally surprised (at seeing the lipstick duplicated). Hesitantly, she reached out for the "new" lipstick. 

"It's warm," she said. She handed it to Valya.

"Shouldn't you keep the new one?"

"My mother told me I couldn't wear lipstick until I was twelve."

Valya wanted to laugh. This girl had died and been reborn on another planet! She had just taken part in some type of alien techno-magic! Yet she remembered some argument with her mother! For an instant, Valya wished she could become mother to a daughter — just to know that one of her parental strictures would sustain itself across time and space, and through death!

On the heels of finding one of the refugees murdered, Zack's 14-year-old daughter Rachel and Pav, the 16-year-old Brahma commander's son, go missing. You know that the new normal is really whacked out when former astronaut and close friend Harley Drake sends a murderer out to find Rachel. The interplay of the characters with each other is nearly as riveting as their struggle with the aliens and the alien environment. Each of the main characters stands out in chapters in their own point of view. I have seen this done better, but still the technique was effective, allowing the reader to see not just the outward reactions, but the inner thoughts that we dare not utter. How would you react in a situation in which almost nothing is familiar? That's what I liked best about the book, though the plot and descriptions were top-notch. I love seeing how humans react when pushed to the limit and when put into foreign situations where they have little or no control. 

The humans have not been the first to be scooped up and brought to Keanu, where a war wages among the residents for control of the ship. Both Zack's group and Rachel's meet creatures along the way that may or may not share their goals.

My only complaint about this book, and its the same as with its predecessor, is the poor editing. It wasn't just the stray typo. Some sentences just came out plain wrong and indecipherable. And there were more than a few places where it was hard to tell who was speaking because of the inefficient placement or lack of proper dialog cues. Both authors are primarily screenplay writers, with an impressive list of credits. In fact, they simultaneously wrote the screenplay, which perhaps accounts for some of these anomalies popping up.

I can't wait to read the final installment and see Heaven's Shadow, the movie! It's still in development, but is slated for a 2013 release. You can check back with IMDB for more details as they are made available. I also invite you to read my July 2011 interview with the authors.