Showing posts with label outland moon 44. Show all posts
Showing posts with label outland moon 44. Show all posts

Wednesday, December 15, 2010

To Remake or Not to Remake

Scene from 'Metropolis' (1927)That is the question. A friend on a totally unrelated channel (some whimsical fad site called Facebook) complained recently that "they" were doing a remake of True Grit, the classic John Wayne western. Said friend and his armada of cohorts suggested that only The Duke is The Duke, and that this movie (and by implication ALL John Wayne movies) should definitely not be remade. Since I abhor controversy, I quietly stepped away from the thread. (lie lie lie)

The whole "discussion" did get me thinking, though, about what is and is not a good remake, and just what is it that makes a science fiction movie a good candidate for a remake? I had to ask myself: are the rules any different? Are there any of my favorites that I would cringe to see redone? Would someone want to or dare to remake Fritz Lang's 1927 classic Metropolis (pictured here)?

These questions required raw data for further analysis. Yes, I am afraid that it just begged for yet another list, the D. E. Helbling Top Ten Favorite Science Fiction Movies List, of course! That list is, in order from Mostest Loved:
  • Deep Impact (1998) (IMDb)
  • Independance Day (1996) (IMDb)
  • When Worlds Collide (1951) (IMDb)
  • Star Trek IV - The Voyage Home (1986) (SEQUEL) (IMDb)
  • Star Trek: First Contact (1996) (SEQUEL) (IMDb)
  • The Matrix (1999) (IMDb)
  • Earth vs. the Flying Saucers (1956) (IMDb)
  • Soylent Green (1973) (IMDb)
  • War of the Worlds (2005) (REMAKE) (IMDb)
  • Minority Report (2002) (IMDb)
"What!?" You ask: "Where is Star Wars?" Oh, now what? Now you are demanding more DATA to support my guidelines? The list is not long enough to impart great wisdom on the proper science behind making science fiction remakes? Dang you all to purgatory ... you are forcing me to cough up more information just to prove my point. OK, OK, here is the rest of what now constitutes The D. E. Helbling Top Twenty Five Favorite Science Fiction Movies List:
  • Star Wars: Episode IV - A New Hope (1977) (IMDb)
  • The X-Files (the movie) (1998) (IMDb)
  • The Omega Man (REMAKE) (1971) (IMDb) (Original: 1964's "Last Man on Earth" starring Vincent Price)
  • Outland (1981) (IMDb)
  • Johny Mnemonic (1995) (IMDB)
  • Dr. Strangelove (1964) (IMDb)
  • Men in Black (1997) (IMDb)
  • Jurarassic Park (1993) (IMDb)
  • The Postman (1997) (IMDb)
  • The Man in the White Suit (1951) (IMDB)
  • 20,000 Leagues Under the Sea (1954) (REMAKE) (IMDb) (Original : apparently 1905's version, with several other remakes before and after)
  • War of the Worlds (2005) (REMAKE) (IMDb) (Original: 1953's version, all of them of course derivative of the radio play version)
  • Altered States (1980) (IMDb)
  • This Island Earth (1955) (IMDb)
  • 2010 (1984) (SEQUEL) (IMDb)

Now before you flame me on the content of the list, remember I did not say these were The Best. They are my Favorites. This is indisputable, and subject to change on a sometimes hourly basis. How does this play into the whole to "To Remake or Not to Remake?" question? Thanks, straight man on the sidelines, for asking. Let's assume for the moment that the reason a movie studio would do a remake is to make money. This will be the Business Motivation. But what about the the actual moviegoer, the science fiction fan? Do the producers and studios care? Surely some do. There are many such film projects where the love shines through. Assuming all the business and marketing concerns were already assessed, here are some reasons why I imagine Hollywood movie producers might go for a remake and presume the fans will come along for the ride:

  1. The original movie has a really good story, but is largely unknown to current (under 30 years old) audiences, barring uber-nerd science fiction movie historian types, so it would seem new to these current ticket buyers. And we would not have to come up with a new idea!

  2. The original movie was quite popular, even successful. With a cast of recognizable faces, backed by more current special effects technology, this cow could be milked again. And we would not have to come up with a new idea!

  3. The original movie sucked quite badly, but it made a few bucks. With a cast of recognizable faces, backed by more current special effects technology, this cow could be milked again. And we would not have to come up with a new idea!

  4. Few people heard of and no one cared about the original movie, but with a cast of cheap actors and a few cheesy effects, this cow might be milked more successfully this time around, even if it goes straight to video and cable TV. And we would not have to come up with a new idea!

  5. The original movie was great over in Finland/Serbia/UK/Australia/Russia (insert favorite film-producing non-US country name here), and with some recognizable faces and some quantity of effects, we can make it seem like we did it first. And we would not have to come up with a new idea!
Sensing a theme? Let's hope you are not lactose intolerant, cuz yes, it sure tastes like there is a whole lotta milkin' goin' on. Sorry, no seriously harsh intent here. I sincerely love most of the new movies that are coming out. From my list of faves above, you can see there are number of remakes and sequels in the lot. So I am not by any means Remake Hostile. I am particularly interested in seeing certain movies remade, with fresh cast, with updated PC-ness or lack of PC-ness, with better effects. In a few cases, I have found previous remakes to be vastly superior to the originals, but never because of the effects ... usually because the script updates and the actors made the story more relevant or more real to me than the originals. So, what are my go-nogo rules for remakes?

  1. If the original movie was done in the last twenty five years, or any direct sequels were done in the last twenty five years, wait another five years and ask the the questions again ... OR ... make another sequel .... OR ... make a prequel.

  2. If the original movie sucked, but the story was good, do the remake!

  3. If the original movie was good, but the story sucked, do the remake!

  4. If the original movie sucked and the story sucked, do NOT do the remake unless you need a financial loss project for tax purposes.(How else can you explain The Langoliers ?)

  5. If the original movie was good or bad or indifferent and the story was or was not good, but the project keeps my favorite actors, writers, and producers employed (sorry, that's another list for another day), do the remake!

Given these criteria, which of the above list are actually eligible for remakes? Only these:

  • When Worlds Collide *
  • Earth vs. the Flying Saucers
  • Soylent Green *
  • Outland *
  • Dr. Strangelove
  • This Island Earth
  • The Man in the White Suit
  • Altered States

A perhaps interesting coincidence ... IMDb suggests that at least a few of them (see *) actually have a remake "in development". Even Metropolis appears to have one such movie bun in the studio oven. Since I have no IMDb Pro account, I cannot see the details on these movies of the future, but I can certainly look forward to them, with anticipation, anxiety, and perhaps a bit of outright terror. Or not.

This whole dissection process had me scratching my head, trying to see patterns where there were none, to sort out the chaos where there were too many patterns. Then I went back and read the original thread on that Facebook fad website page thingee ... and I finally got it. They didn't care about the movie True Grit per se ... they objected to the idea of someone else playing a character that they so firmly pictured in their minds, a character they had come to love, as he was portrayed by The Duke.

Now it all made sense.

I tried to picture Dr. Strangelove without Peter Sellers, George C. Scott, Slim Pickens, James Earl Jones. Even if I did substitute a Jeff Bridges, a Matt Damon, a Josh Brolin, all of whom I thoroughly enjoy as actors (and all of whom are in the new True Grit), I could not imagine them replacing Peter Sellers' Captain Mandrake, or his President Muffley, or his Dr. Strangelove. Same for George C. Scott's General 'Buck' Turgidson, Slim Pickens' Major Kong, or James Earl Jones' Lieutenant Zogg. And who other than Stirling Hayden could so aptly convey General Jack Ripper's keen obsession with "vital fluids"?

I will have to face this same struggle with any remakes of When Worlds Collide, as I cannot easily picture a more suave, yet sincere David Randall than the one delivered by Richard Derr. And Barbara Rush as Joyce Hendron ... no, there cannot be another! Someday, when I am older and greyer and more round, I will be bemoaning the replacement of Will Smith, Tom Cruise, and Keanu Reeves, because it is actors who bring our wonderful science fiction characters to life. It is actors who make the just OK stories interesting and the great stories unforgettable. But that doesn't make the remakes bad. Every generation can and should lay claim to their own list of Favorites.

Someday my children and my grandchildren will, if all is right with the world, form their own lasting, unerasable memories of outstanding acting portrayals in future remakes of remakes of truly awesome science fiction movies, including Blade Runner, 2001: A Space Odyssey, and yes, even Star Wars.

May we all live long enough to see 'em ...

- D. E. Helbling


Friday, October 15, 2010

Mining and Science Fiction: Great Companions

This week the news feeds are all about the great Chilean rescue of the miners, who have been trapped a kilometer underground for several weeks. This is a great human interest story with an outstanding ending. Yet what is being referred to in many articles as the “miracle rescue” might also be considered a testament to the limitations of our technology, at least as far as penetrating terra firma is concerned. The miners’ stories will no doubt be full of inspiration, once we get to hear them ... which is once they all decide which media outlets will pay the most to hear their tales.

The whole situation reminded me of just how many great stories and films have been done with miners as characters and mines as a setting. The Video Hound's Movie List of films with or about miners and mining has literally pages of such movies.

On the Science Fiction movie front, there is the biggest box office smash of recent history. What was Avatar if not a big mining SF movie? (OK, some might say it is also a big whining SF movie, too, but I still loved it, thin story, heavy-handed message, and all.) There are lots of other examples of SF movies with a mining theme or at least a mining environment, including but absolutely not limited to Moon 44, Star Trek VI: The Undiscovered Country, The Abyss, and one of my personal favorites, Outland. I know a lot of people nitpicked Outland to death for its ready defiance of several of the laws of physics, but hey, it had Sean Connery! In similar company, another hit movie of recent years which also included miners was Armageddon. Of course oil drillers are miners. And they are still miners when they are drilling on a giant rock flying towards Earth at ridiculous speeds. I regard the scene with space-happy super-brain geologist Rockhound (Steve Buscemi) shooting up the drill site with a big space Gatling gun as one of the funniest, most preposterous SF movie scenes of the last twenty years. Outrageous fun, if you don't demand that your SF come exclusively in credible packaging.

Dozens of science fiction television episodes featuring mining and miners have also made their appearance. Classic Star Trek had several of them, including "The Devil in the Dark" (written by Gene L. Coon), "The Cloudminders" (written by Margaret Armen), and "Mudd's Women" (witten by Steven Kandel). Even Red Dwarf, home to the last human alive, was a mining ship.

More recent and arguably more artistically engineered movies such as the 2009 Moon, (story/direction by Duncan Jones, screenplay by Nathan Parker) come closer to grips with some of the core issues that make mining such a rich landscape we can mine for story. (Sorry, I couldn't resist). Whether the underlying theme is isolation, human vs. hostile environment, individual safety vs. corporate greed, environmental responsibility vs. corporate greed, etc., there’s lots to work with here.

Written SF has also paid due homage to mining as an extreme setting, a hostile environment, a challenge, for person and machine, and for the machined creature as well. An article from Technovelgy.com reminded me of this, the notion of the engineered miner, who is not human. The article mentions Love Among the Robots, Emmett McDowells' 1946 story of mining worms, and Larry Niven's 1968 A Gift from Earth, yet another mining worm story. And of course there is the original Dune, Frank Herbert's story of mining for stuff from worms (because what is the Spice Melange, if not worm doodoo?).

There are dozens more great SF stories and novels where miners and mining play a significant role. I believe that this trend will continue throughout the life of science fiction because of the nature of the universe, of which the nature of mining is a microcosm. So long as there are substances with unique, valuable properties, which are difficult to create or obtain, there will be some group of women, men, and machines ready to seek those substances. For reasons of personal profit, family survival, or mere satisfaction, they will push the barriers of technology and the human spirit and, perhaps, the boundaries of ecological responsibility, to acquire, possess, process, and sell these magic materials. And in so doing, they will inspire future writers.

Let the mining continue ... let the stories continue!

(article image courtesy of ShareYourWallpaper).



Trolling the Venusian Atmosphere - It's a Drag


An interesting Gizmag article on some ingenious applications of physics and adaption of sensory gear originally designed for other purposes.




Gliese 581g - 100 Percent Chance of Life?


U of C Santa Cruz astronomy professor speculates on the chance of life on a recently discovered planet.


(Thanks to conspiracy collector Aaagghhh for the link)




Saturn Auroras - Intriguing Photography from the Cassini-Huygens Mission

Some truly stunning images.


(Thanks to game coding guru QwazyWabbit for the link)





World Fantasy Life Achievement Winners Announced

This year's Life Achievement winners to be awarded at the WFC are Brian Lumley, Terry Pratchett, and Peter Straub.




Corey Doctorow Talks about Proprietary Things


Interesting discussion at Locus on what is and is not public domain