Galaxy's Edge, issue 1 - a mixed bag mag

I loved how Mike Resnick kicked this new magazine off with an entertaining and often humorous look at the history of science fiction magazines in his Editor's Word.  The opening story, however, was a bit of a disappointment. I'm a fan of Robert J. Sawyer's. I even interviewed him twice here on Science Fiction and Other ODDysseys. "The Shoulders of Giants" struck me as three talking heads conveying his cool premise. Nothing really happens. They go somewhere. They arrive. Things aren't what they expected. They decide to leave. That's the whole thing. I'm guessing that this was a trunk story (copyright 2000, by the way) that Rob trotted out to throw at a new magazine, not wanting to give up his best work on a new venture. Just goes to show, even the best writers produce some stinkers. Sorry, Rob.

In "Schrodinger's Cathouse", Kij Johnson (also interviewed herein) shows us a man who takes an unexpected trip down the rabbit hole while sitting at a stop light. Reality bends on him again and again, though a few things are constant. He tries to hang onto the things that don't change and is guided by a person of undetermined or perhaps changing gender. She attempts to help him, then seduce him - it is a cathouse after all - and just when he decides to go with the flow, he gets another curveball that is just too much. It's an amusing tale that speaks of our inability to venture far from our social norms. 

"Creator of the Cosmos Interview Today" by Nick DiChario is just plain weird. It's another fish out of water story with an interesting premise, but left me scratching my head a bit and not feeling very satisfied.

The nonfiction piece that follows, "From the Heart's Basement" by Barry Malzberg, is a rant about the "in" club of the specfic world and how we're not in it. It would be an interesting blog post, but I'm not sure why it's in the magazine. Too depress us and make us give up?

"Just a Second" by Lou J. Berger is the first story that really held my attention, even though it's predictable. A man asks for a potion, achieves success, but is never satisfied. In the end, he gets his comeuppance. The compelling prose and the colorful characterization pulled me in and didn't let go. I loved hating this guy!

The science in "Act of God" by Jack McDevitt is pretty hokey and it's a long tell. In fact, the whole thing is one side of a conversation. Reminded me of an Outer Limits episode about teleportation (from the reboot version of OL), but was all telling about it after the fact. It would have been stronger if I could see the action and get to know the players along the way.

I thoroughly enjoyed "Requiem for a Druid" by Alex Shvartsman. What I liked most was the protagonist's voice. He's an underdog and a fraud, but makes a decent living for a non-gifted by faking it with his bag of tricks. And the real estate developer, for once, isn't pure evil, but an astute, open-minded businessman who keeps the peace and still gets something for himself.

I didn't finish reading "The Bright Seas of Venus" which was not really what was advertised as the writer admits directly to his readers as he's telling us how much he hates us. This bit of reader thrashing was delivered by Stephen Leigh.

"The Spinach Can's Son" wisks us through the "underfunnies" where comic strip physics are skewed and nothing works quite right. This is a back drop for a married couple who are mourning - each in his/her own way - the loss of their son.  Robert T Jeschonek wrote this fun diversion.

A fabulous reprint from James Patrick Kelly will keep you thinking long after you've read it. Honestly, just reading this and Mike's Editor's Word makes all the other mediocre stories forgiveable and the magazine worth picking up. The reprint is "Think Like a Dinosaur" and involves teleportation, the balancing of the equation and the prospect of adopting alien thought to justify doing the unthinkable thing set before you. Can you kill a person to keep the universe in balance?

At the back of the mag, Horace E. Cocroft offers an essay entitled "Economics in SF" for the Something Different column.

Also included in each issue are book reviews and part of a serialized novel. 

REDOUBTABLE leaves little doubt

Kris Longknife: Redoubtable

by Mike Shepherd

Penguin USA (ACE) - Oct. 2010

Review by Clare Deming

In a spirited and fun science fiction romp, Mike Shepherd takes us along with Princess Kris Longknife and her troop of marines in a hunt for space pirates. Don't worry - despite the noble title, Kris is no coddled damsel. Recently promoted to Lieutenant Commander, she is there to get a job done - one that usually involves explosives, bullets, subterfuge, and political wrangling.

Kris Longknife: Redoubtable is the eighth volume in the series of this plucky princess' adventures. After dispatching an amateur pirate raid on her ship, Kris leads her marines onto the planet of Kaskatos, where an over-the-top sadistic leader has enslaved the locals with her band of ruthless henchmen. If the novel merely covered the conflict with this ridiculous overlord, I may have been disappointed. However, the situation on Kaskatos is rapidly controlled, while the enemy meets an appropriately inglorious end.

Just as Kris begins to organize the reestablishment of vital services on Kaskatos, Kris' nemesis Lieutenant Victoria Peterwald, heiress of a rival empire , summons her to a meeting. With Kaskatos located on the periphery of the Peterwald's empire, Kris has already grown concerned that her humanitarian efforts would be construed as a takeover of the planet. However, the meeting reveals that there are larger problems looming within the Peterwald empire. Never quite sure who to trust, Kris delves deeper into the pirate problem, trying to track down their ultimate base, while continuing to negotiate with Victoria. When the pirates kidnap the twelve-year-old daughter of one of the crew, the stakes become more personal and desperate for Kris.

As a newcomer to this series, I initially had trouble following the chain-of-command, with marines, navy, and "civilians" all present on one ship. However, it turns out that this assortment of personnel confuses Kris also. While Kris has her own ideas about their purpose, I suspect that they may become important in future volumes.

While the eighth volume can certainly stand alone, this is an open-ended series. Someone - or something - is lurking on the edge of known space, and they don't seem friendly. Unknown to Victoria Peterwald, Kris has secretly communicated with the alien Iteeche and is itching to investigate some jump points that have consumed recent Iteeche scout ships. This larger overarching plot began prior to this book, and while it is not advanced much here, I think this volume is a bridge that puts everyone in place to explore this mystery in a future installment.

Despite the fighting, kidnapping, and sinister mysteries, I found this book to be fun and light, with quite a few lines and scenes that made me chuckle. Though lacking in speculative ideas and innovative fictional technologies that fill some science fiction worlds, I cared about the characters and the pacing never foundered. Overall, this was an exciting and enjoyable book.

Greatshell writes Mad Skills with, well, mad skills

I raced through Mad Skills like a madwoman. What a fun ride through the looking glass. Young Madeleine Grant goes from average teenager struggling to fit in, to vegetable to government experiment with "mad skills" in a very short period of time. Who can be more vulnerable than someone who is trapped in a body with a damaged brain, who is unable to process her surroundings and voice her needs? Scientists use experimental technology to literally hardwire Maddy's brain. But now that she's part tech and the creators are monitoring their tech, what's next? What's real? How can you tell with someone feeding ideas into your head?

Maddy has her faculties back and then some. The speed at which she analyzes a situation and uses raw materials at hand to build a solution makes MacGyver look like an idiot.

Maddy goes back to school after her operation. News crews show up to see the spectacle. After having her Dad drop her around the corner, she gets to work.

As soon as he was out of sight, she walked to a nearby convenience store and browsed the automotive shelves. Making chemical connections in her head, she bought various items and took them behind the store, where she fashioned a peculiar device out of plastic bottles and volatile compounds. It looked like a toy spaceship. The warhead was a can of degreaser with a steel penetrator made from a lug bolt. It took a few minutes to assemble everything, then she had to hurry with it down the street -- she didn't want to be late for school.

A few blocks over, she found what she was looking for: a clear view of the local TV news affiliate. Estimating trajectory, she angled the device just right and lit it off. It went shoosh! and streaked upward, arcing high over the town common. A second later, there was a crash and a puff of flame -- the station's big satellite dish was on fire. People came out, yelling and screaming, and in minutes the news trucks started showing up.

Maddy passed them going the other way. The front of the school was clear of media people. She slipped onto campus unnoticed, grateful that she hadn't missed the bell.

But her functioning brain has come with a price. Not least of which is her freedom. Still in the balance is her sanity. What's with that talking raccoon, anyway? The more she learns of the project and it's goals, the more the carpet is pulled out from under her. She has no one left to trust.

Greatshell's pacing is excellent. And he manages to introduce boy to girl without things getting all mushy and complicated. Maddy has complications in abundance. And what do you do when you find out you're a lab rat and there are lots of other lab rats like you? What do you do when people you've trusted aren't who you thought they were? Read Mad Skills to find out what Maddy does. You won't be disappointed.

It was a real treat to chat with Walter about Mad Skills, his Xombie books and writing.

AW: You wrote a very convincing female protagonist. And I'm sure those in your Xombie novels are equally well-rendered. Maybe I should ask your wife this next question. Do you seek female input or are you really that good?

WG: My wife says, "He's strongly in touch with his feminine side." Which is funny, since I look like a Mack truck. But any little boy who loves books more than sports can't help but feel a certain kinship with girls, who tend to be the most ferocious early readers and writers. And I was raised by a single woman, so that probably helped.

AW: Okay, what's a Xombie?

WG: A Xombie is a person who has been infected by Maenad Cytosis, the disease called Agent X, which attacks the X chromosome and turns women into unstoppable killing (or rather, infecting) machines.

AW: How do they spread it?

WG: By suffocating their victims--either by strangling, or by literally sucking the breath from their lungs. Agent X doesn't work in the presence of oxygen molecules. The O2 has to first be evacuated from the victim's body.

It's a real "kiss of death". My idea was to create a situation where women were the aggressors, and no man was safe. They call it Sadie Hawkins' Massacre.

AW: Who do you credit with nurturing your unique sense of humor?

WG: My sense of humor probably comes from being a bit of a class clown all through school. I liked being a ham, and also loved reading my stories in class.

AW: Have you ever had your sense of humor get you in trouble?

WG: A few times, yeah. I remember once I was being disciplined in front of my 2nd grade class, and I made goofy faces behind the teacher's back--the class cracked up. But then I got caught, and got slapped with a ruler. The good old days...

AW: Mad Skills is a far cry from your usual satirical horror. You seem to be diversifying. What else can we look forward to?

WG: I have a bunch of different books in various stages of development. A Godzilla-like satire about a man who grows to giant size, called Enormity [original title still listed on website is The Leaf Blower]. A steampunk type story about girl flyers at the dawn of aviation. Also a horror novel about a voodoo-type cult on an island (Catalina Island, actually), called Terminal Island.

AW: What genres do you read?

WG: Everything! Lately, a lot of nonfiction. I just read a bio of William Golding, which made me buy his sea trilogy To the Ends of the Earth. But I grew up on all the science fiction greats, as well as Stephen King.

AW: Where did the idea for Mad Skills come from?

WG: Mad Skills was my attempt to do a psycho-thriller in the vein of The Stepford Wives or Coma. That kind of paranoia thriller that was so popular in the '70s. I also am a fan of Dickey's book Deliverance, and always wanted to do that kind of suspense. My agent suggested I work on something in the urban fantasy genre, and Mad Skills was what I came up with. Actually, once I had the rough idea for the novel, it sort of wrote itself. That doesn't happen often, so it was nice.

AW: In Mad Skills, did you ever get tangled up in your layers? How did you keep track of it all?

WG: I just took a lot of notes on scraps of paper--I have a very cluttered type of organization...but it seems to work.

AW: Will there be a sequel?

WG: I'm in the middle of writing a sequel right now, which I think is going to be great. I'm incredibly excited about it, but I can't give anything away because it's too early in the process...but it'll be good.

AW: Woo Hoo! Make sure I get an ARC. :)

WG: Actually I had an earlier idea for the sequel, which would have been kind of an international spy thriller type thing. But this new idea is much better. And of course you'll get the first ARC!

AW: Do you do conventions?

WG: I've just started. I went to Thrillerfest last year, and I've been to Comic Con a few times, and intend to go again. It's fun, but I'm still too obscure a writer to really be able to greet the fans. Hopefully that will change.

I love meeting people and talking about my work--it's a rare treat for me.

AW: Did you have one big break that got you going? Many authors have a dumb luck story about how they found an agent.

WG: I sold my first novel, Xombies, back in 2004. That was an incredible experience: I had been working the night shift at a submarine plant, and the idea occurred to me that people could escape a zombie-type epidemic aboard a nuclear sub.

So I talked to my wife about it, and she agreed that I should take the time to write it. I quit my job, and a year later I had a book called Dead Sea.

I sent it to several agents, and one of them agreed to rep me. He sent it to an editor at Berkley, and they immediately bought it.

AW: That's awesome!

WG: Then I sold nothing for the next five years! But I wrote the whole time, and suddenly out of nowhere, Berkley contacted me again about doing a Xombies series--three books plus Mad Skills.

Echo review from Clare

ECHO
by Jack McDevitt
Penguin Group (Ace)
Reviewed by Clare Deming

In Jack McDevitt's Echo, readers are introduced while fans are re-introduced to the characters of Alex Benedict and Chase Kolpath in their fifth adventure together. As a dealer in antiquities, Alex Benedict often comes across mysterious objects, peculiar clients, and dangerous foes. His business, Rainbow Enterprises, hooks sellers and buyers up to a mutual advantage, taking a cut of the profits.

When Alex discovers an online listing for a stone tablet engraved with runes in an unfamiliar, possibly extraterrestrial, language, he decides to investigate. The former owner, Alex learns, was Somerset "Sunset" Tuttle, an eccentric archaeologist and anthropologist, whose life's goal was to search out intelligent extraterrestrial life. When humans had initially colonized star systems across our arm of the galaxy eight thousand years ago, many colonies lost contact with the rest of civilization, suffered disease or catastrophe, and are now the subject of all modern day archaeological studies.

Only one intelligent life form, the telepathic Ashiyyur (Mutes), had been discovered. Tuttle had risked his professional reputation on his obsessive search for other intelligent aliens, and was remembered by most in his field as a single-minded kook. His ultimate failure brought him ridicule as he continued to lecture on the importance of his search up until his premature death. If this mysterious tablet had been evidence of an alien civilization, why would Somerset Tuttle have kept this knowledge a secret?

When Alex's assistant, Chase Kolpath, arrives at Tuttle's former residence to retrieve the tablet someone else has beaten them to it. Through further sleuth-work, they track down the culprit -- Doug Bannister, a young man with no apparent connection to Tuttle. After Alex and Chase corner Doug, Doug's wife reveals that he took it as a favor for his aunt, Rachel Bannister.

Oddly, Doug claims Rachel subsequently decided she no longer desired the artifact and had him drop it in the river. The river search is as fruitless as all their previous leads seem to be. Then Chase learns Rachel Bannister and Tuttle were romantically involved. The more they learn about Rachel and World's End Tours, where Rachel quit her interstellar piloting job, the more the mysteries deepen. And Rachel refuses to assist them.

Did the tablet hold an alien secret so terrible that even Tuttle would not reveal it? Before Chase and Alex can continue their investigation, an attempt is made on their lives, convincing Alex that the tablet's secrets are too important to ignore. He and Chase retrace the path of Tuttle's explorations and Rachel's last tour, which puts their business, their friendship, their lives, and even humanity's role in the cosmos in jeopardy.

I had no trouble jumping into this story, even never having read any Alex Benedict novels. Each book in the series encompasses a single mystery and problem to solve, so reading the previous volumes is not critical to the understanding of each subsequent one. The third book, Seeker (2005), won a Nebula award. McDevitt reveals most of the important aspects of this future world without interrupting his brisk pacing.

Echo is told from the point-of-view of Chase Kolpath, which follows the traditional structure of a detective novel, so that when Alex solves Tuttle and Rachel's terrible secret, the reader is kept guessing until Chase catches up with him. The personality differences between Alex and Chase in terms of their goals and ambitions also added to the tension in the novel.

The only subject I felt needed more attention was the Mutes, though I gather their discovery is the subject of the first Alex Benedict novel.

As the stakes continuously escalated, I found myself reading until I had finished the final one hundred pages in one late-night sitting. That rush of story-reading glee makes me thirst for more, and I plan on looking for the earlier volumes sometime soon.

Far flung tales - Eight Against Reality

I've decided to do a bit of book reviewing here in addition to Mostly Fiction. First up is a collection edited by Dario Ciriello, Eight Against Reality (Panverse Publishing 2010). I ripped right through this little collection not just because of its size. The complex characters in the majority of the stories face life and death situations with courage and fortitude and their reactions are felt on a visceral level.

Eight Against Reality is a collection of stories set on far flung worlds – either in an imagined future, an imagined past or on a distant planet. In spite of their alien environs, these character-driven stories are very human. Many of these dark tales are down-right disturbing. I do recommend this collection be read, but not at bedtime.

In "The Eminence's Match" by Juliette Wade, we meet the leader of a clan on a distant world who has a very human affliction: obsessive compulsive disorder. He's on a quest for the perfect man-servant, one he can bend to his will, who will not let anything be out of place – ever. Unless he finds the perfect servant, the halls of his palace will be soaked in blood. Almost as disturbing as the Eminence's cruelty is the new candidate's desire to please, and indeed love, this tyrant. The inner dialog and the fixations are portrayed most credibly.

Extreme sports enthusiasts will enjoy Genevieve Williams' "Kip, Running", in which a girl traverses the cityscape of future Seattle virtually invisibly clinging to trains, maglevs, airships, bubblevators (way cool!) and more. They even have flying squirrel-like wings on their camouflaged suits. It's an illegal sport, which raises the adrenalin even further. Kip hopes winning will get the attention of someone she worships from afar. But does Lily even notice?

"The Lonely Heart" by Aliette de Bodard is set in China with mystical beings and terrible curses. What's worse than the local pimp, an infinitely dangerous person who knows where you live, knowing that one of his girls has sought refuge under your roof? The emotions in this piece soar. The author plucks on the strings of pity, empathy, terror, betrayal, forgiveness, determination, loyalty and resignation. It's a symphony of the soul.

"The Flying Squids of Zondor: The Movie Script" by Doug Sharp is something like Monty Python meets Ed Wood. Sex-crazed tyrants are ensnared by a giant alien squid's love potion gas. Really. 'Nough said.

"Spoiling Veena" by Keyan Bowes looks at what might happen when all genetic traits can be programmed and reprogrammed. Letting your daughter change her sex at age twelve isn't nearly the same as letting her dye her hair or get a piercing. And a lot more expensive.

Dogs have become mutant monsters in "Man's Best Enemy", a post-apocalyptic tale by Janice Hardy. The human struggles to fit in, to prove one's skills and to contribute to society are the themes woven into a terrifying fight for survival.

"Love, Blood and Octli" by T.L. Morganfield is by far the most disturbing of all, and yet, the most compelling. Set in ancient Aztec times, this is a story of a girl who is befriended by a god and becomes a priestess. Her brother follows his own avarice and the darkest of the gods. Readers get a glimpse into what might have motivated that ancient race to follow such blood-thirsty gods and live in such fear. Is this what happens when humans become playthings of the gods?

What if you could visit your other selves in other realities? Would dipping into those strange worlds become addicting? Where might it lead if you taught your other selves how to surf realities, too? Find out in "Dancing by Numbers" by Dario Ciriello. Who is the real Lyra? Will she lose herself to these others?


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Need your eyes and SyFy review

Getting over a cold. Yes just a cold. And I didn't even get a flu shot. A friend of mine sent me a series of videos of this Dr. Baylock on the flu vaccine. Look at his surroundings. Yeah. If I were him I would invest in a projector screen or folding room screen for conducting interviews at my computer. Notice the duct tape around the door and the stacks of newspapers. He does drape a cloth over some of them.

I just joined Library Thing. They have my book listed, so I figured I ought to join. Like I needed another site to feed with my time. I get a shiny author button after I load up the books I'm reading and send them an email. Too bad I can't import them from Goodreads to Library Thing and Amazon.

There's a contest over at Rose City Sisters for best flash fiction. My story, "Your Smiling Face", gets a vote for each unique page view. So, you don't even have to read it, just open the page. But you'll definitely want to read it. It's a chilling love story loosely inspired by actual events.

For those of you who watch Stargate Universe and for those have wondered if they should, listen up. The episode before last can be summarized by: They find something cool, someone's been lying, they can't use the cool thing because it's too dangerous. The rest was a bunch of soap opera stuff.

In the next episode: Oh, look a murder! Or is it? Of course someone uses the cool, dangerous thing. We knew he would. Then the loose cannon leaves the other loose cannon stranded on a planet with a ship the team didn't have time to crack open and a working stargate. Yeah, we'll see him again.

Well, at least more stuff happened this time.

So, with all the hidden agendas and short tempers on this vessel, are there any good guys? How about a good woman? It's starting to play out like Lost. How appropriate, I guess. Personally, I'm ready for an alien or strange world with exotic creatures. Enough of the soap opera all ready.

I enjoyed SyFy's Alice. Especially Kathy Bates, Tim Curry, Andrew-Lee Potts (Connor Temple from Primeval) and Matt Frewer (Taggert from Eureka, but more importantly, Max Headroom). But I can imagine that the creator of this and Tin Man, SyFy's remake of the Wizard of Oz, sat down with SyFy execs and marketing guys who told him, "You have to throw some romance in there. Not enough chicks are watching the SyFy channel." And he did just that. Also, reminiscent of The 10th Kingdom. Very. And by the way, if you want this chick to watch the SyFy channel, lost the monstor movies and just plain BAD made for tv movies. And the ghost buster and searching for monsters shows. Give me real SF, and try to manage some that isn't military. I can definitely live without romance. Honest.

Alice did have certain oddities that drove me nuts. Alice's coat is lost along the way and suddenly she's wearing again. The White Knight and the Hatter have horses to follow Alice and the prince, but there's no explanation as to where they got them. They just suddenly have horses. If it's magic, fine. But then you have to say it is. It's just sloppy.

Here's an extra goody. The White Hare's Mad March in New York.

And because I can't get enough of him. Here's a Max Headroom Coke commercial. Again. ;)



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Battle for Terra review

So, here it is, the first ever SF movie review on SFOO. Battle for Terra comes to theaters May 1st.

According to the filmmaker and director, Aristomenis Tsirbas, Battle for Terra is a cautionary tale. Humans have destroyed Earth with a civil war between Earth and two planets we colonized. Their single space-faring ship brings the only survivors to the planet Terra. With their resources almost gone, the desperate Earthlings (I would say Terrans only you'd get confused since they named the alien world Terra and its inhabitants Terrians.) seek to "terraform" (ugh! They really do use that word!) a world that meets their needs even though it's inhabited by an intelligent society.

It's a unique spin on alien invasion with humans being the aliens. The story line and dialog are simple and straightforward, geared to a young audience. Battle for Terra is billed as a "CG-animated science fiction action adventure". The violence and gravity of the theme make me want to say, "Think Pixar war movie".

The characters gained my empathy while drawing me into the drama. I enjoyed the alien landscapes, architecture, animals and "people". The CGI didn't fail to deliver in any respect. I was fascinated by the aliens' form of locomotion. The Terrians live in a helium rich atmosphere in which they float and "swim".

In the Q & A that followed the screening Tsirbas admitted that creating swimming beings with tails is cheaper than animating biped gaits. There's fewer moving parts. I also learned that the small mouths and big eyes characteristic in Japanese animé, which he uses in the film are another economical choice, though he didn't explain why.

The main Terrian character, Mala (Evan Rachel Wood) rescues a fallen soldier from Earth and enlists his help to find her father who was abducted in the first wave of the alien invasion. The soldier (Luke Wilson), in turn, overcomes his prejudices and faces hard choices as his commander orders genocide.

The musical score enhanced the experience without distracting, perfectly complimenting the action. And no animated SF film is complete without a sassy robot for comedy relief. Giddy's character is delivered by actor-comedian David Cross.

Would I see it again? Sure. It's a good flick. Check it out. And see if you can figure out which character Mark Hamill plays.

Review - GUD (Greatest Uncommon Denominator)

I met the editor of GUD over at LinkedIn and scored a review copy of GUD. It took me a while to get through the pdf version, as I'm an ink and paper miser and don't like reading on the screen. But, at long last, I've finished it.

GUD bills itself as: "GUD (pronounced "good") is Greatest Uncommon Denominator, a print/pdf magazine with two hundred pages of literary and genre fiction, poetry, art, and articles."

First off, I'd have to say that GUD could just as easily stand for Gloomy Utter Doom. Of course, if that's what you're into, it's a veritable banquet. Now that I've peeled myself off the floor and listened to some Blues to pick me up, I'd like to tell you more about it.

The issue I reviewed is the Spring 2007 issue. It's chock full of stories, poetry, and art. It also has a couple of non-fiction pieces. I won't go into the poetry as I'm not the best judge of poetry. I'll stick to what I know. The stories were, as I said, very dark. But they were also well written and unique.

John Mantooth's "Chicken" was so full of emotion as to make me almost gasp. His treatment of a young man's bravado, fear and regret overlaid onto a troubled alcoholic seeing another troubled young man who is frighteningly past caring was a moving, credible symphony of bitter memory.

I enjoyed Jason Stoddard's "Moments of Brilliance". He set the bread crumbs along my path. I knew where they led, but it made me want to run there all the more. Besides, I'm a sucker for the musings of how other beings or even robots might think. The gradual awareness, the piecing together of the various visual and aural input to decipher its surroundings and the meaning of life. Can't say more...

In AB Goelman's "4 Short Parables Revolving Around the Theme of Travel", I found a welcome respite from the doom and gloom and a fun time travel romp.

"Cutting a Figure" provided a bit of comic relief while still making some social commentary. Charlie Anders had me hooked with his dual duty breast implants. Need I say more?

Last, but not least, I'd like to mention "She Dreams in Colors, She Dreams in Hope" by F. John Sharp. His well-rounded characters deal with sweat-shop socialism. The man who seems the most resistant, lets another man's dreams invade his own and imbue him with hope that he carries into the waking world.

If you don't buy the magazine to experience it for yourself, I suggest you head over to their website, if for no other reason than to check out the cover art by Konrad Kruszewski. He also has another very striking image within.

Truly Different, Truly Remarkable Novel

I finished Port Eternity, the first novella in Alternate Realities by C J Cherryh. Wow! What a ride it was. Very impressive blend of identity crisis, caste struggle, and nostalgia with rich characters in a future where the cloned servants' mistress sails through the stars on a ship, the insides of which are decorated after her fancy for the Arthurian Legend that has survived that far into the future. But what happens when the programmed servants learn of the legendary people they were named for? What happens when the ship is marooned, and the servants and those served face danger together? Brilliant!!

I love it when a book can utterly surprise me with something so different. Practice Effect by David Brin was another of those. He takes physics and turns it on its head and makes it work. Tools get better with use, even changing their molecular structure. Beautiful mix of fantasy and sf.

What's yours? What novel surprised and delighted you? Do tell!